By Shannon Latkin Anderson
Over the process the twentieth century, there were 3 basic narratives of yank nationwide id: the melting pot, Anglo-Protestantism, and cultural pluralism/multi-culturalism. This e-book deals a social and ancient standpoint on what formed every one of those imaginings, while each one got here to the fore, and which seem specially appropriate early within the twenty first century. those concerns are addressed by way of the us and elite notions of the that means of the United States around the twentieth century, centering at the paintings of Horace Kallen, Nathan Glazer and Daniel Patrick Moynihan, and Samuel P. Huntington. 4 structural components are tested in each one interval: the financial system, involvement in overseas affairs, social events, and immigration. What emerges is a story arc wherein immigration performs a transparent and an important position in shaping cultural tales of nationwide identification as written through elite students. those tales are represented in writings all through all 3 classes, and in such paintings we see the highbrow improvement and specification of the dominant narratives, in addition to demanding situations to every. vital conclusions contain a willing reminder that identities are usually shaped alongside borders either exterior and inner, that constitution and tradition function dialectically, and that nationwide identification is not often a monolithic, static formation.
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Immigration, Assimilation, and the Cultural Construction of American National Identity (Routledge Research in Race and Ethnicity) by Shannon Latkin Anderson
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