Download e-book for kindle: Classics for the Masses: Shaping Soviet Musical Identity by Pauline Fairclough

By Pauline Fairclough

Musicologist Pauline Fairclough explores the evolving position of track in shaping the cultural identification of the Soviet Union in a revelatory paintings that counters sure hitherto authorized perspectives of an unbending, unchanging kingdom coverage of repression, censorship, and dissonance that existed in all components of Soviet inventive recreation. Newly opened information from the Leninist and Stalinist eras have shed new gentle on Soviet live performance lifestyles, demonstrating how the tune of the previous was once used to assist mould and bring cultural coverage, how “undesirable” repertoire was once weeded out through the Nineteen Twenties, and the way Russian and non-Russian composers equivalent to Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov have been “canonized” in the course of assorted, special sessions in Stalinist tradition. Fairclough’s attention-grabbing examine of the ever-shifting Soviet musical-political panorama identifies 1937 because the begin of a cultural chilly battle, instead of taking place post-World battle , as is frequently maintained, whereas documenting the efforts of musicians and bureaucrats in this interval to maintain musical channels open among Russia and the West.

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Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin by Pauline Fairclough


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